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Autumn Reading Selection: Five Works Ranging from Marlon James to Joe Biden

Autumn Reading Selection: Five Works Ranging from Marlon James to Joe Biden

C2🇹🇼 中文 → 🇺🇸 English

August 21st, 2026

Autumn Reading Selection: Five Works Ranging from Marlon James to Joe Biden

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Please note: This article has been simplified for language learning purposes. Some context and nuance from the original text may have been modified or removed.

🇺🇸 English

Bibliophiles and voracious readers alike may look forward with eager anticipation to a veritable cornucopia of literary offerings this autumn, encompassing novels, biographies, memoirs, poetry collections, and incisive works of non-fiction that hold a mirror to contemporary society.

藏書家與嗜讀之士於今秋可翹首期盼琳瑯滿目之著述，涵蓋小說、傳記、回憶錄、詩集及針砭時弊之非虛構佳作。

The following five forthcoming publications are poised to create a considerable stir within the literary firmament, and as such, merit the closest scrutiny and expectation.

以下五部即將付梓之作品，料將於文壇掀起波瀾，值得拭目以待。

Marlon James's fantasy series, The Dark Star, showcases his awe-inspiring and boundless imagination.

馬龍·詹姆斯的奇幻系列《黑暗之星》展現了他那令人嘆為觀止、浩瀚無垠的想像力。

In The Book of the Missing, he returns to his native Jamaica, delving back into the stark realities depicted in his Booker Prize-winning A Brief History of Seven Killings.

在《消失者》中，他重返故鄉牙買加，回到他榮獲布克獎的《七次謀殺簡史》所描繪的殘酷現實之中。

This new work, longlisted for the Booker Prize, revolves around the harrowing violent attack on eight gay men during a theatrical rehearsal in 1988.

這部新作入圍布克獎長名單，圍繞1988年八名同性戀男子在排練戲劇時遭受駭人聽聞的暴力襲擊事件展開。

James interweaves humor, popular culture, compassion, and several profoundly challenging experiences.

詹姆斯將幽默、流行文化、悲憫情懷與若干極其艱難的經歷交織融合。

"I refuse to believe that any lesson can be gleaned from enduring atrocity," James writes, "except to remain perpetually vigilant of how people may turn against you."

「我拒絕相信從遭受暴行中能汲取任何教訓，」詹姆斯寫道，「除了時刻警惕人們如何轉而與你為敵。」

(September 1)

（9月1日）

Kai Bird is best renowned for co-authoring with Martin J. Sherwin the biography "American Prometheus," chronicling the life of nuclear physicist Robert Oppenheimer, which subsequently served as the basis for Christopher Nolan's Academy Award-winning film "Oppenheimer."

凱·柏德最為人所稱道者，厥為與馬丁·J·舍溫合著之《美國普羅米修斯》——此部記述核子科學家羅伯特·奧本海默生平之傳記，嗣後成為克里斯多福·諾蘭榮獲奧斯卡獎之電影《奧本海默》的藍本。

In "American Villain," Bird, alongside his wife Susan Goldmark, traces the influence of the late political operative Roy Cohn, from his early tenure as a senior aide to Senator Joseph McCarthy to his mentorship and cultivation of a young Donald Trump.

於《美國惡棍》一書中，柏德偕其妻蘇珊·戈德馬克，追溯已故政治操盤手羅伊·科恩之影響力，自其早年擔任參議員約瑟夫·麥卡錫之高級幕僚，迄至其對青年唐納·川普之提攜與薰陶。

"American Villain" draws upon government documents, archival materials, and dozens of interviews, among which the authors were most astonished by the interview with Trump himself; Bird recounts in his acknowledgments that Trump "repeatedly answered our unsolicited calls on his personal mobile phone."

《美國惡棍》援引政府文牘、檔案史料及數十次訪談，其中尤令作者驚詫者，乃川普本人之受訪；柏德於致謝辭中記述，川普「屢次以私人手機接聽我方不請自來之電」。

Trump was "courteous in demeanor, yet less than candid in his account of his own recollections," and declined an in-person meeting, explaining: "I am the President. My duties are manifold. Calls from China. Calls from Russia. I simply cannot spare the time." (September 1)

川普「態度謙和，然於自身記憶之陳述，未盡坦誠」，且婉拒當面晤談，因其告曰：「吾乃總統。公務繁劇。中國來電。俄國來電。實難抽身。」（9月1日）

Emma Cline has established herself as a consummate master of portraying alienated psyches, dramatizing the fleeting nature of youth, and delineating ambition and deception, with her acclaimed debut novel "The Girls" standing as her most celebrated work.

艾瑪·克萊恩已然確立其駕馭疏離心靈之描摹、青春易逝之戲劇化演繹，以及抱負與欺瞞之刻畫的卓越造詣，尤以其備受讚譽的處女作《女孩們》最為膾炙人口。

In "The Swizzle," longlisted for the Booker Prize, Cline presents us with a retired businessman whose mental faculties are progressively deteriorating, and who travels to an assisted-suicide facility in Zurich.

於入圍布克獎長名單的《斯威齊》中，克萊恩向我們呈現一位心智日漸衰頹的退休商人，其前往蘇黎世一家安樂死輔助機構。

Cline deconstructs the narrative into terse, austere fragments, as a former "man of worth" examines his own memories, ultimately arriving at the conclusion: "He had always floated on the surface. His life." (September 8)

克萊恩將敘事解構為簡潔而冷峻的片段，一位昔日的「有價值之人」審視自身記憶，終而得出結論：「他始終浮於表面。他的一生。」（9月8日）

Night Music constitutes Li Yiyun's sixth full-length novel and her first published work following last year's Pulitzer Prize-winning memoir, Where Everything Grows in Nature, which chronicles with unflinching candour the anguish of her two sons' suicides.

《夜之音樂》乃李翊雲的第六部長篇力作，亦是繼其去年榮膺普立茲獎之回憶錄《自然界中萬物只是生長》——該書以毫不留情之筆觸，記述其兩名愛子自戕之痛——後的首部問世作品。

This time, Li appears to unfold a markedly divergent narrative: that of a piano prodigy of the late eighteenth century whose renown scarcely outlived him, and of an orphaned itinerant musician who resolutely weds him, a decision that culminates in a tragic fate.

此番，李氏似乎鋪陳了一則迥然相異的敘事：關於一位十八世紀末葉的鋼琴神童，其聲名在其生前幾乎未曾延續；以及一名孤兒流浪樂師，毅然決然下嫁於他，此舉終致悲劇性的宿命。

The novel functions simultaneously as an allegory of music and a profound meditation on 'night' and mortality—parents, intimates, and progeny alike, none spared.

此小說既是關於音樂的寓言，亦是對「夜晚」與死亡的深沉冥思——父母、摯友、子女，無一倖免。

'Despair is not something one should yield to,' Li writes near the novel's close, appending a sombre, Shakespearean admonition: 'A child's death can never be neutral for a parent; a child's death is a wholesale negation of time—no longer a then and a then, a then and a return, a then and an after, but only a now and a now and a now and a now and a now.' (October 13)

「絕望乃人不應屈從之物，」李氏在小說尾聲如此寫道，並附上一記陰鬱而具莎翁風骨的警語：「子女之死對父母而言，永無中立之可能；子女之死是對時間的徹底否定，不再有彼時與彼時，彼時與復返，彼時與其後，唯有此刻與此刻與此刻與此刻與此刻。」（十月十三日）

Memoirs invariably serve as the pivotal arena wherein presidents delineate their political legacies, notwithstanding the fact that readers and critics alike may fixate upon vastly disparate focal points—be it Richard Nixon and Watergate, or Bill Clinton's entanglement with Monica Lewinsky.

回憶錄往往成為總統們界定自身政治遺產的關鍵場域，儘管讀者與評論家所關注的焦點可能大相逕庭——無論是理察·尼克森與水門案，抑或比爾·柯林頓與莫妮卡·陸文斯基的糾葛。

Joe Biden, naturally, evinces a proclivity toward accentuating the resplendent accomplishments of his tenure—among them, vanquishing Donald Trump in 2020, shepherding landmark green energy legislation through Congress, and appointing Ketanji Brown Jackson as the first African American woman to ascend to the Supreme Court.

喬·拜登自然傾向於強調其任內的輝煌成就，諸如2020年擊敗唐納·川普、通過具有里程碑意義的綠色能源立法，以及任命首位非裔女性最高法院大法官凱坦吉·布朗·傑克森等事蹟。

Yet the public, perchance, harbors a far more fervent yearning to plumb the depths of those contentious and unresolved questions—most notably, the state of Biden's health during his occupancy of the White House, the intimate particulars of his calamitous debate with Trump, and the profound rationale underpinning his subsequent decision to forgo a bid for re-election.

然而，公眾或許更渴望探求那些備受爭議卻未獲解答的議題，尤其是拜登在白宮期間的健康狀況、他與川普那場災難性辯論的內幕細節，以及其後決定放棄競選連任的深層緣由。

(November 17)

（11月17日）

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