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After Los Angeles acclaim, Dudamel moves on to New York

After Los Angeles acclaim, Dudamel moves on to New York

C1🇹🇼 中文🇺🇸 English

September 17th, 2026

After Los Angeles acclaim, Dudamel moves on to New York

C1
Please note: This article has been simplified for language learning purposes. Some context and nuance from the original text may have been modified or removed.

🇺🇸 English

At the tender age of fourteen, Gustavo Dudamel visited New York for the first time and bounced around on the giant keyboard at FAO Schwarz.

古斯塔沃·杜達美爾年僅十四歲時首次造訪紐約,並在FAO Schwarz的巨型鍵盤上蹦蹦跳跳。

Thirty years later, he returned, and now, as the music director of the New York Philharmonic, the instruments at his disposal are far more numerous, though somewhat smaller in size.

三十年後他回來了,如今身為紐約愛樂的音樂總監,他手邊可運用的樂器數量遠多得多,體積卻小了些。

"This city is, to a great extent, that seething energy," he said this week in his office at David Geffen Hall.

「這座城市,很大程度上就是那股沸騰的能量,」他本週在大衛·格芬廳的辦公室裡這麼說。

Dudamel, now 45, formally took up the post of music and artistic director last week, after 17 widely acclaimed seasons at the helm of the Los Angeles Philharmonic.

現年45歲的杜達美爾上週正式接任音樂與藝術總監此前他在洛杉磯愛樂執掌了17個備受讚譽的樂季

He is the 27th music director of this New York orchestra, whose predecessors include such luminaries as Gustav Mahler, Willem Mengelberg, Bruno Walter, Leonard Bernstein and Pierre Boulez.

他是紐約這個樂團第27位音樂總監前幾任包括古斯塔夫·馬勒威廉·孟格爾伯格布魯諾·瓦爾特倫納德·伯恩斯坦皮埃爾·布列茲等名家

Dudamel is a product of Venezuela's "El Sistema" music education programme.

杜達美爾委內瑞拉「系統音樂教育」計畫的產物

In October 1995, while still a violinist with the National Children's Symphony Orchestra of Venezuela, he performed at the Kennedy Center in Washington, D.C., and travelled by bus with the orchestra to the United Nations for a concert.

1995年10月還是委內瑞拉國家兒童交響樂團的小提琴手在華盛頓特區的甘迺迪中心演出隨樂團搭巴士前往聯合國參加音樂會

"They told us we had to go through an underwater tunnel beneath a river, and we thought to ourselves, 'What?' It was like another world," Dudamel said.

他們說我們得穿越一條河底隧道我們當下心想:『什麼?』那無異於另一個世界,」杜達美爾說道

"I remember that before we reached the river, the Twin Towers came into view.

我記得在抵達那條河之前雙子星大樓映入眼簾

Then I saw the Statue of Liberty, and after that they led us to the United Nations.

隨後我看到了自由女神像接著他們領我們前往聯合國

Afterwards they took us to that toy store.

之後又帶我們去那家玩具店

We felt as if we were in heaven."

我們簡直宛如置身天堂。」

Dudamel's early schedule could be described as nonstop.

杜達美爾初期行程可謂馬不停蹄

The opening concert, held on September 10 at Radio City Music Hall, was hosted by actor Liev Schreiber, and the lineup of performers included Lizzo, St. Vincent, Joaquina, and Aaron Tveit.

9月10日於無線電城音樂廳舉行的開幕音樂會由演員李佛·薛伯主持演出陣容包括LizzoSt. VincentJoaquina與亞倫·特維特

The celebrations then moved to the Rainbow Room high above Manhattan to continue.

慶祝活動隨後移師曼哈頓高空的彩虹廳續攤

"Gustavo Dudamel is not an easy man to describe," Scheiber told the concert audience.

古斯塔沃·杜達美爾不是容易描述的人,」薛伯對音樂會觀眾說

"Just imagine: add a teaspoon of Billy Joel, an ounce of Jean-Michel Basquiat, a cup of Tito Puente, and then sprinkle in a little Barbra Streisand."

想像一下在比利·喬爾中加一茶匙尚-米榭·巴斯奇亞一盎司蒂托·普恩特一杯再撒上一點芭芭拉·史翠珊。」

The next day, Dudamel moved on to downtown, where he gave a performance of "Voices of Memory" at the World Trade Center Arts Center to mark the 25th anniversary of the September 11 terrorist attacks.

杜達美爾隔天轉往下城,在世界貿易中心藝術中心為911恐怖攻擊25週年舉行「記憶之聲」演出。

"Music belongs so profoundly to moments like this," Dudamel said softly.

音樂如此深刻地屬於這樣的時刻,」杜達美爾輕聲說

"Music cannot erase what has happened.

音樂無法抹去已發生的事

But when words can no longer reach where we need to go, sometimes music can.

但當言語再也無法抵達我們需要去的地方時,有時音樂可以

It can give sorrow a voice."

它能為悲傷賦予聲音。」

This week's opening subscription concert begins with Prokofiev's Fifth Symphony, the very work he conducted on 29 November 2007 when he made his debut with the New York Philharmonic.

本週揭幕的訂閱音樂會普羅高菲夫第五號交響曲開場而這首作品正是他於2007年11月29日首次指揮紐約愛樂所演出的曲目

"There are no borders. What there are is bridges," Dudamel said.

沒有邊界有的是橋樑,」杜達美爾說

"A symphony orchestra can also immerse itself in pop music, folk music, and musicals.

交響樂團也能沉浸在流行樂民謠音樂劇中

We are all in the same space.

我們都在同一個空間裡

I think that is the message."

我想這就是訊息。」

Just one month after taking up his post, the orchestra will set off on 9 October for a two-week European tour of ten performances, and then return in November to Carnegie Hallits home from 1891 to 1962to perform a concert version of Puccini's Tosca.

上任僅一個月樂團便將於10月9日啟程,展開為期兩週共10場演出歐洲巡演隨後於11月重返卡內基音樂廳——該團自1891年至1962年間的駐地——演出普契尼《托斯卡》的音樂會版本

"The chemistry and enthusiasm he brought were highly infectious," said Shirley Saylor, who has served as associate principal oboe since 1984.

他所帶來的那股化學反應與熱情極具感染力,」自1984年起擔任副首席雙簧管雪莉·賽勒說道

"During rehearsals, he would address the orchestra as 'darlings.'

排練時他會稱呼樂團為『親愛的們』

He would begin offering you constructive criticism, yet he always treated the orchestra with this term of endearment.

他會開始給予你建設性的批評卻總是以這個稱呼來對待樂團

No one had ever done that before.

以前從沒有人這樣做過

It changed, to some extent, the way you receive criticism or advice."

這多少改變了你接受批評或建議的方式。」

Although Dudamel usually has a dedicated driver to take him around, he still walks through New York City on foot, switches to the subway when traffic is congested, and is occasionally recognized by passersby.

儘管杜達美爾通常配有專屬司機接送仍會在紐約市內徒步走動遇上交通壅塞時則改搭地鐵偶爾還會被路人認出

With his thick black hair and his Giorgio Armani conducting suits, Dudamel fits the archetype of the twenty-first-century conductor so perfectly that Gael García Bernal's character in the TV series Mozart in the Jungle was modelled on him.

杜達美爾留著一頭濃密的黑髮身穿喬治·亞曼尼指揮套裝其形象與二十一世紀指揮家的典型如此契合以至於蓋爾·賈西亞·貝納在電視劇《叢林中的莫札特》裡的角色正是以他為藍本

Even so, he still retains a few traditional habits: he prefers to listen to music on vinyl records, and he frequently visits The Record Collector on Melrose Avenue in Los Angeles to add to his collection.

即便如此他仍舊保有些許傳統作風他偏好以黑膠唱片聆賞音樂並經常造訪洛杉磯梅爾羅斯大道The Record Collector以添購收藏

He identifies his first record as Tchaikovsky's 1812 Overture, performed by the Chicago Symphony Orchestra under the baton of Daniel Barenboim.

他認定自己的第一張唱片丹尼爾·巴倫波因指揮芝加哥交響樂團所演奏的柴可夫斯基《1812》序曲

"I have a deep affection for the sound of LPs," Dudamel said.

我對LP的音色懷有深厚的情感,」杜達美爾說道

"I ruined several of them, because I would stop, because I was focused on practising conducting.

我毀損了好幾張因為我會停下來因為我正專注於練習指揮

My father was furious about it."

我父親為此勃然大怒。」

Dudamel also has a home in Madrid, and he has not yet decided whether to look for an apartment on the Upper West Side of New York, near the orchestra's Lincoln Center headquarters, or in Chelsea downtown.

杜達美爾在馬德里也有一個家目前還沒決定要在紐約上西區靠近樂團林肯中心總部的地方找公寓還是下城的切爾西區

He has become a fan of some of New York's top restaurants, mentioning Cosme, Milos, Mercado Little Spain, and Casa Ora, which is known for its Venezuelan cuisine.

他已經成為紐約一些頂級餐廳的粉絲提到CosmeMilosMercado Little Spain以及以委內瑞拉料理聞名Casa Ora

Ticket revenue for the current season, up to the same point last year, recorded an 8% increase, while the number of seats sold in September rose by 20% compared with 2025.

本樂季截至去年同期的票務收入錄得8%的增幅9月售出的座位數較2025年上升了20%

Subscription package revenue reached 12.4 million dollars, up from 11.3 million dollars.

訂閱套票收入1240萬美元高於1130萬美元

One of Dudamel's first changes was to move the second violin section from his left to his right, opposite the first violins, and to shift the double basses from his right to his leftprecisely the arrangement he had employed in Los Angeles.

杜達美爾最初的變革之一,是將第二小提琴聲部從他的左側移至右側與第一小提琴相對並將低音提琴從他的右側換到左側——這正是他在洛杉磯所採用的編制。

He moved the entire orchestra closer to the front of the David Geffen Hall stage and had the musicians seated more tightly together.

他將整個樂團移近大衛·格芬廳的舞台前方,並讓團員的座位排得更緊密

"It feels like chamber music on a grand scale," said the violinist Elena Ming Kobiarka.

感覺像一場規模宏大的室內樂,」小提琴家艾琳娜·明·科比亞爾卡

"It's wonderful to have the brass right beside you, rather than 500 miles away."

銅管樂器就在身邊而不是在500英里外真好。」

Dudamel has signed a five-year contract and will spend about 15 weeks with the orchestra each season.

杜達美爾簽有五年合約每季將與樂團共度約15週

He began his first rehearsal on Labor Day, September 7, and gave a brief speech to the musicians, some of whom had taken part in his debut conducting the New York Philharmonic.

他在9月7日勞動節開始第一次排練對音樂家們做了簡短講話其中一些人曾參與他首次指揮紐約愛樂的演出。

Dudamel recalls that Lorin Maazel, who was then music director, made an exception by introducing him in person at his first rehearsal in 2007.

杜達美爾憶述時任音樂總監洛林·馬澤爾在2007年第一次排練時,破例親自介紹他

At the time, Dudamel knew that the orchestra had a reputation for being difficult.

杜達美爾當時知道這個樂團以難搞著稱

"At that moment I was utterly terrified," he recalls of how he felt at the time.

我當時恐懼至極,」他憶及自己那時的心思

"For the first few minutes I would tremble uncontrollably.

起初幾分鐘我會顫抖不已

Yet in the end, it turned out to be such a splendid and wonderful journey."

然而到頭來那竟是一段如此絢爛而美妙的旅程。」

September 17th, 2026

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